Undergraduate Senior Exhibition
Hayden Swanson is a ceramic artist from Valley City, ND who focuses on figurative sculpture that reference cartoon animations. Hayden grew up in Fargo, ND, but at a young age moved to Valley City, ND where he attended high school, and currently attends college at Valley City State University.
Hayden expresses his voice through his work by creating hand-built ceramic sculptures influenced by his childhood and the interactions he had growing up in his neighborhood. Hayden’s work reflects his past experiences of playing sports, watching cartoons, and spending time with the friends he made along the way. It is his goal to show the viewers these moments by making them everlasting artifacts in the form of sculpture. By preserving and sharing these specific moments in time, he is able to allow viewers the ability to reflect and make their own personal connections to his work, based on their own experiences.
Please join us, at the McCarthy gallery for a reception on April 16th from 6:00pm to 8:00pm. Free and open to the public.
Valley City State University Department of Art is proud to announce the opening of Alternative Paintings. The Exhibition by artist Molly Wicks consisting of a series of colorful painted structures.
The Exhibition runs through March 2 - April 6
The McCarthy Gallery is located on the third floor of McCarthy Hall and is open
Monday - Friday, 9:00 am-8:00 pm.
Artist Talk Tuesday, 12:30 – 1:30 in McCarthy 257
Opening Reception Monday, March 2, 6:00-8pm
The Department of Art will be hosting a workshop by Molly at the VCSU Painting studio Tuesday 2pm-4pm.
Please stop by the gallery and see this vibrant art work.
Molly Wicks received a MFA from Washington State University in Painting.
The work of Wicks explores subtractive form and the ghosts of color. Working from sedimentary layers, fungus, and mold forms, then applying paint to the cuts provides an organic grid whose holes and back refract into shadow harmonies, guided by the austere dimensionality of the elevated panel.
As well as the focus placed upon color with the refractions and shadows, a large emphasis is placed on the color painted within the cutouts. The precise painting of these interior spaces creates areas of color vibration, tension, and harmony. These relationships are studied in hopes of generating visual compositions that evoke sound.
Past biology and music, Molly has been influenced by her studies in Chile and Côte d’Ivoire during her BFA at the University of Minnesota, her time at the residencies Art Farm in Marquette, NE and the Vermont Studio Center, her students, and her children to name a few.
The Exhibition runs through January 12 - February 27, 2015
The McCarthy Gallery is located on the third floor of McCarthy Hall and is open Monday - Friday, 9:00 AM - 8:00 PM.Artist Talk
Thursday January 15, 12:30 PM - 1:30 PM in McCarthy 257Opening Reception
Thursday, January 15, 6:30 PM - 8:00 PM
The Department of Art will be hosting a workshop by HSU at the VCSU Ceramic studio Thursday January 15, 9:00 AM - 11:00 AM.
Olen HSU received a MFA from the School of The Art Institute of Chicago and a BFA from the Kansas City Art Institute and a BA in History of Art and Architecture, minor in Music from Yale University.
Olen Hsu is the recipient of grants and fellowships from the New York State Council on the Arts, the National Endowment for the Humanities, the Dedalus Foundation, the AIM Program at The Bronx Museum of the Arts (New York), the Joan Mitchell Foundation, the John Michael Kohler Arts Center Arts/Industry Program, and the Turbulence Commission from New Radio and Performing Arts, Inc. His work has been shown at The Bronx Museum of the Arts, New York.
Olen established a home and studio in Glenside, Pennsylvania, where he now lives.
I'm interested in quietness of form. Weighted or taut, languid or drawn, I enjoy how the slightest undulation of a rim or lip can suggest a mood in something as plain as a cup or bowl or plate: a subtle wavering, in silhouette, might give breath and vulnerability and strength all at once.
I wheel-throw with porcelain for its slowness and for its pleasure, and thrown the porcelain thinly, waiting for the gentle personality of a pot to show itself. I'm drawn to a particular plainness: one that offers mystery because it seems there's something else contained there in that empty space, something not entirely understood by words.
And so with glazes, too: milky, or waxy, or stony-or perhaps like a shell, or bone, or water, or skin-sometimes with the boldness that brilliance or darkness brings, if a form needs bright rose or emerald or the blackest black to assert its particular voice. But often the glaze is only a suggestion of a color, barely there, revealing, hopefully, something else in use and touch, maybe even tenderness.